Perhaps, my favorite would have to be Ibsen’s A Doll House, especially for its shocking ending (and not because I haven’t read the others…) Without spoilers, Ibsen was inspired by the belief that “a woman cannot be herself in modern society,” since it is “an exclusively male society, with laws made by men and with prosecutors and judges who assess feminine conduct from a masculine standpoint.” Ibsen himself used the most subtle details including the concept of mimetic and diegetic space, sartorial metaphors (think Sailor Moon transformations but more meaningful), and much more in his depiction of the relations between the wife and husband in a traditional Victorian household (thanks, AP English Literature). For any reader who enjoys a melodrama, especially one involving debts, secrecy, and Italian dancing, I highly recommend this play.
The best plays of Henrik Ibsen Henrik Ibsen (1828-1906) is undoubtedly the most famous Norwegian playwright who has ever lived. He wrote a number of classic plays in a variety of modes and genres, so in this post we’ve limited ourselves to five of Ibsen’s very best plays. Hedda Gabler. The role of Hedda Gabler […]
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I don’t want to say I am the type of person who enjoys a sudden wave of cognitive collapse in a ‘debate’, but I am not saying I am not.
This is the one song everyonewould like to learn: the songthat is irresistible:the song that forces mento leap overboard in squadronseven though they see the beached skullsthe song nobody knowsbecause anyone who has heard itis dead, and the others can’t remember.Shall I tell you the secretand if I do, will you get meout of this bird suit?I don’t enjoy it heresquatting on this islandlooking picturesque and mythicalwith these two feathery maniacs,I don’t enjoy singingthis trio, fatal and valuable.I will tell the secret to you,to you, only to you.Come closer. This songis a cry for help: Help me!Only you, only you can,you are uniqueat last. Alasit is a boring songbut it works every time.